My Wonder Woman Pride variant cover for DC comics. A dream come true.
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I like this a lot.
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i’ve been having terrible back ache for a week now, but i just did this and i heard a loud POP!!!… back ache is gone folks
i have this on my office wall and gave a copy to the front desk staff who also put it on their wall.
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Anonymous asked:
what parts of real history were most influential on your writing in ds9?
Off the top of my head:
Bajor - WW2, the Troubles, Israel/Palestine, the Belgian Congo
Dominion - Roman, Mongol, and British Empires
Cardassia - The Cold War, DDR
Federation - The Red Scare, various CIA scandals, post-WW2 America in general
Maquis - The Maquis
Ferengi - late stage Western Capitalism, Robber Barons
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*looks into the camera like a chuck jones character*
I am contractually obligated to show you his drawing of his childhood cat that loved melons, Johnson.
Johnson is one of the great writing lessons from Chuck’s book CHUCK AMUCK, because not only did Johnson love melons, but it also loved to swim in the ocean.
The takeaway? Create characters with two unique traits to set them apart and have them be truly memorable.
It’s a great book that every creator should read.
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i know we’re all sick of self-care being a marketing tactic now, but i don’t think a lot of us have any other concept of self-care beyond what companies have tried to sell us, so i thought i’d share my favorite self-care hand out
brought to you by how mad i just got at a Target ad
OP this is EXCELLENT
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Tom Kobayashi, pictured here at the Manzanar Internment Camp in 1943, went on to become a respected sound engineer who ran George Lucas’s postproduction facility Skywalker Sound. After Manzanar, Kobayashi went on to serve in the US Army from 1946 to 1951, and later graduated from USC in 1953 with a business degree. His Hollywood career began inauspiciously as an accounting clerk at a film lab.
After over 20 years of running audio postproduction at Glen Glenn Sound, George Lucas recruited Kobayashi to his new Skywalker Sound division under Lucasfilm in 1985. Kobayashi finished constructing a 700,000-square-foot postproduction facility north of San Francisco equipped with top-notch technology developed by Droidworks (another Lucasfilm division), which was an R&D arm that would jumpstart Pixar.
Kobayashi passed away in 2020 but left behind a legacy of postproduction innovation that changed the sound and film landscapes.
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